Emily Austin Smith

Executive Director, Cello

Based in Durham, North Carolina, cellist Emily Austin Smith has embraced an active teaching and performing life. Originally from Kansas City, Missouri, Emily completed her bachelors and masters degrees in Cello Performance and Pedagogy at the Peabody Institute of The Johns Hopkins University in Baltimore, Maryland, where she studied with Alan Stepansky, former Associate Principal Cellist of the New York Philharmonic.

While in Baltimore, Emily taught students of all ages in a variety of settings, from the Bridges Orchestra Program and Baltimore Symphony’s ORCHKids in the West Baltimore public schools, to the Baltimore School for the Arts and the Carroll County String Project. In the spring of 2012, she was awarded The Johns Hopkins University’s Diversity Innovation Grant for a collaborative project between ORCHKids and Classical Revolution Baltimore in which conservatory and professional musicians performed Terry Riley’s In C alongside elementary school students in the ORCHKids program.

Emily has attended the Indiana University Summer String Academy (2005), and Encore School for Strings (2006-07), Bowdoin International Music Festival (2010), Texas Music Festival (2012) and has also participated in chamber music programs such as the Kansas City String Quartet Program, and the Heartland Chamber Music Academy, where she appeared as a soloist with the chamber orchestra at the age of 14. As principal cellist of the Kansas City Youth Symphony’s Symphony Orchestra, Emily had the pleasure of participating in Missouri’s Music Across the State festival in 2008, during which she performed in St. Louis’s Powell Hall under world-renowned conductor David Robertson.

Emily currently performs with the Duke New Music Ensemble, the Durham Symphony, the Fayetteville Symphony, and appears as a substitute cellist with the North Carolina Symphony. She maintains a private studio in her home as well as at the High Strung School of Music in Durham, and serves as the program assistant at Kidznotes, an El Sistema inspired music program for elementary through high school students in Durham and Raleigh.

Scott Lee

Artistic Director, Piano

Composer Scott Lee writes concert music infused with the visceral sounds of popular music. Lee has worked with musicians across genres, from leading orchestras and chamber groups such as the Baltimore Symphony Orchestra, the North Carolina Symphony, the Portland Symphony Orchestra, Winston-Salem Symphony members, the Moravian Philharmonic, the Peabody Symphony Orchestra, the Da Capo Chamber Players, and chatterbird, to yMusic, ShoutHouse, and multi-platinum pop artist Ben Folds. He has received commissions from loadbang, the Baltimore Classical Guitar Society, the Occasional Symphony, and the American Craft Council.

Notable awards include a 2016 Charles Ives Scholarship from the American Academy of Arts and Letters, a 2015 ASCAP Morton Gould Young Composer Award, and the grand prize in the 2015 PARMA Student Composer Competition.

Lee is currently a James B. Duke Fellow at Duke University where he is pursuing his PhD in Composition, mentored by Scott Lindroth and Steve Jaffe.

N. Cameron Britt

Percussion

N. Cameron Britt is a composer, percussionist and instrument builder from Raleigh, NC. His current preoccupation is the vibraphone, and using technology to make it do things it can’t naturally. To that end, he invented the EMvibe, a hybrid electronic/acoustic instrument that affords unprecedented control over the acoustic properties of the vibraphone. He was the recipient of a 2015-2016 Artist Fellowship from the NC Arts Council, which he used to create EMvibe 2.0. His music has been played by some awesome musicians and ensembles, some of which you may have heard of. He received his PhD in composition from Princeton University and has degrees from Northwestern University and University of South Carolina.

Sarah Griffin

Violin

Sarah Griffin began her studies of the violin at age 3 – although the instrument she actually always wanted to play was the cello! She received Bachelor’s degrees from Oberlin College and Conservatory in both Latin and Violin Performance, where she was Phi Beta Kappa and studied with Gregory Fulkerson. She also holds an MM in Violin from the New England Conservatory, studying with Masuko Ushioda and the Borromeo Quartet, as well as an AM in Musicology from Duke University. She has been a Tanglewood Fellow, participated in the 2005 Queen Elisabeth Competition, and attended the National Repertory Orchestra and Eastern Music Festivals.

Since returning to North Carolina in 2007, Sarah performs regularly with Triangle groups such as the North Carolina Opera, Carolina Ballet, and the Chamber Orchestra of the Triangle, of which she has been Assistant Concertmaster and currently serves as Principal Second Violin. She was also a founding member of the Duke New Music Ensemble, [dnme], during her studies at Duke. Her varied musical career has led to playing with groups from the Wet Ink Ensemble, yMusic, and Pulsoptional, to the John Brown Big Band, Piffaro, and the Mallarmé Chamber Players.

Imani Mosley

Bassoon, Social Media Coordinator

Imani Mosley is a bassoonist originally from Raleigh, North Carolina, now based in Durham. She received a bachelors in performance from the Aaron Copland School of Music (Queens College - CUNY), a double masters in performance and musicology from the Peabody Conservatory (Johns Hopkins) and a masters in musicology from Columbia University. Now finishing a PhD in musicology at Duke, she plays with many local groups and continues perform & premiere new works for solo bassoon.

Les Nicholas

Clarinet

“A sound like liquid gold...” (Eleanor Hood, Cameo Concerts) aptly describes the playing of clarinetist LESLIE NICHOLAS. He has appeared from New York’s Alice Tully Hall to Washington D.C.’s Kennedy Center for the Performing Arts. Across Europe he has performed from Oslo to Palermo in opera, orchestra, chamber music and solo roles. Nicholas has been principal clarinetist of New York’s Classic Chamber Orchestra, the West Virginia Symphony, the Roanoke Symphony, ProMusica Columbus, the Dallas Chamber Orchestra, Central City Opera and the New York Harlem Opera (Europe). He has performed with Washington’s National Chamber Players, the Aspen Festival Orchestra, the Round Top Festival Institute, the Grand Teton and Coronado Music Festivals, the AIMS Festival in Austria and Italy, the Garth Newel Music Center, the Wintergreen Festival, the Shenandoah Valley Bach Festival, and the Lancaster Festival in Ohio. He has been a recitalist at St Martin-in-the-Fields, London, at The International Clarinet Association’s Clar-Fest International and at the University of Oklahoma Clarinet Symposium. In 2007 and 2008 he was invited to Brazil, giving concerts and master-classes at prominent Federal Universities. More recently he has recorded with the American Prize winning Lancaster Festival and international artist Richard Stoltzman. This season Nicholas continues to tour with Musica Harmonia, appearing on their latest CD, “When the Spirit Sings.”

Mr. Nicholas’ principal teachers have included members of the San Antonio, Dallas, Cincinnati, Chicago and Cleveland Orchestras - most notably the legendary Robert Marcellus, his mentor for many years. Les Nicholas holds performance degrees cum laude from the University of Texas and Northwestern University, with additional graduate study at Southern Methodist University and post-graduate study at the University of Cincinnati’s College-Conservatory of Music. Mr. Nicholas presently teaches at Washington & Lee, Eastern Mennonite, and Southern Virginia Universities.

Michael Trinastic

Piano

The music of composer, pianist, and music theorist Michael Trinastic balances direct emotional communication and uncompromising craftsmanship. 
 
His recent scholarly work, appearing in the June 2014 issue of Music Theory Online, analyzes the piano music of Dane Rudhyar in light of the French-American composer’s theories of Tone.
 
Trinastic has taught courses in music theory and music history at Duke University and the University of North Carolina at Chapel Hill. He holds a Ph.D. in composition from Duke University and a Bachelor of Music in Composition and Music Theory from Lawrence University. His primary composition teachers have been Scott Lindroth, Stephen Jaffe, Syd Hodkinson, Joanne Metcalf, Philippe Bodin, and M. Lee Suitor. His music has been performed by Aimee Marcoux, Tomoko Nakayama, Alarm Will Sound, the Ciompi Quartet, and Pepe Bastardes.
 
Having studied piano with Kathleen Murray, Ellen Swan Dixon, and Dolores Lenore, Trinastic has taught piano for many years, including a stint at the Waukesha County Conservatory of Music, where he met soprano Aimee Marcoux, with whom he collaborated on his first opera, The Yellow Wallpaper. He serves as pianist at Abiding Savior Lutheran Church, where his pianism has been further expanding into the Gospel tradition.
 
Born and raised in Milwaukee, WI, he currently resides in Durham, NC, where he enjoys a full private studio of keyboard, composition, and music theory students at Russell Lacy Music.

Ellye Walsh

Flute

Ellye Walsh is a professional flutist and teacher based in Durham, NC. Her passion for contemporary music developed early on as a student at NC Governor’s School where she played music by Penderecki and Philip Glass. She was very active in new music ensembles while completing her performance studies at UNC-Chapel Hill and Northwestern University. She has performed alongside renowned contemporary artists such as Ian Clarke, Chicago’s Eighth Blackbird and poet Saul Williams. She also performs frequently with Mallarmé Chamber Players and has played in the Lexington Philharmonic, the Alabama Symphony, the Greensboro Symphony and in the Art of Cool Jazz Festival. Ellye also works as an arts advocate and administrator with the Mallarmé Chamber Players.

Peter Zlotnick

Percussion

Peter Zlotnick lives in Greensboro, North Carolina and is the Principal Timpanist for the Greensboro, Winston-Salem, and Salisbury Symphony Orchestras. He is a founding member of the duo Amphion Percussion and performs regularly with the Philidor Percussion Group. In addition to performing, Peter is the Education Manager for the Greensboro Symphony where he coordinates small and large ensemble concerts, instructional programs, and the Greensboro Symphony Youth Orchestra. During the school year he teaches percussion via The Music Center of City Arts Greensboro and in the summer is on the faculty of North Carolina Governor's School West.

Nathan Huvard

Guitar